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Landscape with the Flight into Egypt Måleriet identifieringen:: 84137
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Landscape with the Flight into Egypt Date first half of 16th century
Medium Oil on panel
Dimensions Height: 33 cm (13 in). Width: 60 cm (23.6 in).
cjr Date_first_half_of_16th_century
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Medium_Oil_on_panel
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Dimensions_Height:_33_cm_(13_in)._Width:_60_cm_(23.6_in).
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Landscape with the Flight into Egypt Måleriet identifieringen:: 87959
Titta min galleri i Sverige
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Landscape with the Flight into Egypt first half of 16th century
Medium Oil on panel
cyf first_half_of_16th_century
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Medium_Oil_on_panel
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cyf
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Landscape with Christ and the Men of Emmaus Måleriet identifieringen:: 90412
Titta min galleri i Sverige
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Landscape with Christ and the Men of Emmaus first half of 16th century
Medium oil on panel
Dimensions Height: 34.1 cm (13.4 in). Width: 50.5 cm (19.9 in).
cyf first_half_of_16th_century
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Medium_oil_on_panel
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Dimensions_Height:_34.1_cm_(13.4_in)._Width:_50.5_cm_(19.9_in).
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1 | Föregående Konstnär Nästa Konstnär
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Herri met de Bles
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(also known as Herri de Dinant, Herry de Patinir, and Civetta) (c. 1510 - c. 1555 - 1560) was a Flemish Northern Renaissance and Mannerist landscape painter. He is also defined as a eeMosan landscape painter active during the second third of the 16thcentury (i.e., second generation of landscape painters).ee
Very little is positively known about the artist. He is believed to be a certain Herry de Patenir who joined Antwerp's Guild of St. Luke in 1535 as a painter and is also believed to be a court painter for the d'Este Dukes of Ferrara, where he ended his career known as "Il Civetta". He contributed, along with his possible-uncle Joachim Patinir, to a distinct style of Northern Renaissance landscape painting that combined small history or religious scenes into compositions defined by perspective and atmospheric effects. Also, along with a group of Antwerp-based followers of Hieronymus Bosch that included Jan Mandyn, Pieter Huys, and Jan Wellens de Cock, Met de Bles continued the tradition of fantastic imagery into northern Mannerism.
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